completelyignored

Posts Tagged ‘Dinosaur Jr’

Ignored 153: Lee’s of long ago

In Graphic on August 10, 2017 at 12:40 am

ignored153

Advertisements

Ignored 80: Fakeapalooza

In Graphic on April 6, 2016 at 3:48 am

Ignored80

Ignored 78: Big breaks

In Uncategorized on March 11, 2016 at 12:49 am

ignored78

Ignored 60: People on the street

In Uncategorized on June 7, 2015 at 11:55 pm

I talked to my high school pal Adam about Neil Young in the 1980s (again) and the conversation morphs a few times, including a discussion about Phil Collins being the Ben Zobrist of his era.

**

Cam: Have you seen this before?

Adam: Can’t watch it on my phone. Thought momentarily it was the video for his song “Ordinary People” off Chrome Dreams 2. The epic 18 minute song that goes on forever but is actually pretty good. Saw him play it during the electric set at Massey for that tour.  Top 10 show for me that was.  I do not get crazy worked up for recent Neil as others do but I adored Prairie Wing and really liked Chrome Dreams II. Neil alone in the organ playin’ “A Man Needs a Maid” is the most beautiful thing I’ve ever seen.

A: Springsteen’s The Rising came on in truck today and I was briefly flooded with how significant this album was post -9/11.

C: It seems like 9/11 and that album totally put Bruce in a different context. Jolting him out of his 1990s slump/”slump”. Never really heard indie rock kids applauding Born to Run or The River prior. Seems like that circle complete when he led the Grammies’ tribute to Joe Strummer a few years later, alongside SVZ, Elvis Costello and Dave Grohl. Still kind of a weird moment. I feel like Neil might have one or two more “good” albums in him before he checks out. His legacy is pretty insane and don’t think it’ll fully sink in until he’s gone.

A: Of course it won’t. He had a lot of things that weren’t appreciated at the time but with time, stand as documents. If you didn’t go to the Greendale show expecting to hear “Heart of Gold”, then Greendale was fine.  His live shows were disappointing for some people for that reason but it gets a lot of play. Anyway, I’ve been listening to a few songs off the Rising recently. Currently “Into the Fire”. My goodness. That song haunted me.  Saw you disappear up the stairs, into the fire…love and duty called you someplace higher.  That’s so powerful, I still get chills thinking of it.  What a brilliantly poetic way to write about 9/11

C: Hate to say… 75 per cent of the times, I want to hear “the hits” when I go to a new concert. There’s a small # of bands where I’m curious to hear whatever they put out (Mogwai, Dinosaur Jr, Beach House) but otherwise, I’m lazy. Interesting that The Rising holds up. Seems very much like a place/time album… although I think it was all recorded before 9/11, no?

C: What are your thoughts on “Dancing in the Dark”? I love this song but an example of a tune that was turned into something quite different due to the 1980s production. Reminds me of 98.1 CHFI (not a bad thing). I can totally see the Ramones singing this! (Ed. I was thinking of “Hungry Heart”).

A: Only “City in Ruins” was written before.  My God, that performance he did on the first concert on TV….  America: A Tribute to Heroes was the start of it all.  No introduction. No words, just blowing into that harp like it was crying. Here’s a prayer for our fallen brothers and sisters…. There’s a blood red circle, on the cold dark ground, and the rain is falling down.  I’ll never forget that.  It’s a part of the narrative.  The final chorus of C’mon, rise up gives me chills every time.  It felt like he was telling us it was going to be OK despite the pain. It was a call to action. Nobody else could have done it. Not Bono. Not Petty. Not Dylan. That was the first step of his monumental rebirth creatively.

A: RE: “Dancing in the Dark”. I love that song. Every time. Hate it live. The synthesizer is a must.  The video. The tight jeans and white top. Courtney Cox. The dance. It’s a perfect pop song.

C: Yeah, Bruce certainly pulled off the “shirtless w/ leather vest” look better than Bono, who was rocking that look at lot around the same time. I don’t know if it’s intentional but I like that that clip is literally shot with him in the dark for a lot of it. Sounds pretty sweet w/ the horns in there. Totally different song. I’m not a Springsteen completist by any stretch… did he ever veer into more R&B/Motown territory? I think his first couple of albums give nods to those eras, no?

A: He always would play the “Detroit Medley”.  Back in the day he’d do “Not Fade Away” into “She’s the One”. That’s close. And speaking of the “Detroit Medley” as I’ve been going through a rediscovery and appreciation for the “Wall of Sound” and Motown and whatnot, I got onto 1980s covers of Motown classics and some new 1980s material by 1970s icons, A topic we have discussed many times, this time with a less than subtle nod to Motown. Without further ado, the playlist…

A: I’m gonna make you a mix tape, Jack. “Do you like Phil Collins? I’ve got two ears and a heart, don’t I?” – Jack and Tracy from 30 Rock. It’s hard for me to explain to my kids just how big Phil Collins was in the 1980s. They were his decade. At least on drums and a triple threat. Legitimately. Fuck Don Henley.  Fronting Genesis after Peter Gabriel left, Duke!!  Abacab! Dropping that solo album! Go watch the Classic Albums show on it. It’s a piece of work, or at least does a good job of looking like it. Certainly an artist who got to say something. I loved that he did a Motown cover on each album. He was charmingly self-effacing. He drops two solid solo albums, drums on Band Aid, plays both Live Aid show by way of Concorde, Then Invisible Touch, which I will fight tooth-and-nail for as one of the greatest albums of all time and certainly of the 80’s.

A: He was a natural actor. I loved his videos. He was a sharp dude. Here is where his Motown influence hit. Also with the classic we all love, our star playing all parts in the band. This was one of two songs from Buster, along with “Groovy Kind of Love”.

Rod Stewart also had a great late 1980s. Forever Young is one for the ages. Here’s the less than subtle nod to Motown…

Here is Elton John’s entry in the key of Motown though the production is a little synthy!

C: I had never really thought but yeah, 1980s/1990s interpretations of r&b/Motown faves was totally a thing. Remember rod Stewart doing “This Old Heart of Mine” with the Isley Brothers? A real “feel good” rendition. And Kim Wilde doing “You Keep Me Hangin’ On”? I like this. I like the Vanilla Fudge version.

Ignored 38: Same songs, new price

In Uncategorized on July 17, 2014 at 4:15 pm

ignored38

UK shoegaze outfit Slowdive play Toronto this fall. They last played our city 20 years ago and tickets this time around have increased in price by 168 per cent ($11 in 1994, $29.50 in 2014).

That’s perfectly fine and expected. Because in pure economic terms, nostalgia comes at a high price.

slowdive_back

Whether your vice is music, sports memorabilia, out-of-print literature or visiting Europe (or whatever “the old country” means to you), people will pay a significant premium to purchase something NOW that makes them feel a tinge of something from THEN.

Still, some jerks music fans like to get all uppity when a band like Slowdive reunites and their ticket prices skyrocket. The thing is, when you think of it in terms of simple supply and demand, why wouldn’t these prices spike?!? In 1994, the audience for Slowdive was mop-haired guys and girls who didn’t talk much plus assorted wannabe Anglophiles. In 2014, the audience is two additional decades worth of that type of music fan…. plus the entire original audience itself (except for those who died or moved to Courtice in the years since).

Demand goes up. Supply stays, more or less, the same. Do the math!

For more information and to learn more theories, go here. It’s a great place.

Getting back to Slowdive, a lot of notable bands have reunited in the last decade. However, even when compared to many of their contemporaries, returning after a 20 year absence is pretty rare. It begs the question: does staying away longer help pad your bottom line in terms of ticket prices?

(pause)

To help answer this question, I took a cross section of 18 of these notable bands who have returned to Toronto in the last decade after some sort of hiatus. I compared ticket prices for the “farewell” and “hello again” gigs and in an attempt to keep this apples-to-apples, I only included headline shows. This latter piece gets kinda dicey when we speak in terms of demand (i.e. the Constantines’ headline “reunion” show in Toronto this fall will technically be the third time they’ve played in the city since reuniting) but more on that later…

Also, none of the prices reflect services charges, venue fees or anything of that nature. Because people tend to hate taking about services charges, venue fees or anything of that nature.

Here is a list of the 18 bands in question, sorted by the year they returned to Toronto and also showing their last Toronto show before they disappeared for a while:

ticket2

Now, the first graph below shows who had the longest gap between Toronto headline shows. The second graph shows who had the largest spike in ticket prices, expressed in terms of price percentage increase.

ticket3

ticket4

If there was a decent correlation between length of absence and increase in ticket price, these graphs should look somewhat similar shape-wise.

They don’t. At all.

Therefore, based on this (admittedly small) sample size, there is no real correlation between how long you’ve been away and how much you can jack up your prices.

Since the length of the hiatus, in and of itself, isn’t significant in boosting ticket prices across the board, here are a few less scientific factors that are:

Taste: I mean, this is 90 per cent of the equation with any art, right? A few of these bands (especially My Bloody Valentine, the Pixies and Neutral Milk Hotel) became almost mythical during the 2000s due to the proliferations of blogs and YouTube and MP3s. Thus, when they started popping up on the touring circuit again, their fan bases has swollen to kind of insane proportions. Well, maybe not INSANE since MBV was originally booked to play the Ricoh Coliseum in 2008 (which would’ve been “whack”) before being downsized to the Kool Haus. But still. NOTE: the Ricoh Coliseum website is still erroneously listing the concert. They so crazy!

Venue: When Jesse Keeler posted this note on a Death From Above 1979 forum back in 2006 in order to napalm his band, it meant that the duo’s last headline show in Toronto was a series of insanely loud gigs at the cozy Horseshoe Tavern the summer prior. Based on their popularity at the time, it easily could’ve been a room 5x as big. But in the end, it was happenstance. Either way, $15 for a DFA1979 gig in 2005 was a “bargoon“.

Non-Headline Gigs: The Constantines played their first 2014 reunion show in nearby Guelph, rocked at Broken Social Scene’s Field Trip festival shortly thereafter and will be opening for the Arcade Fire at the Molson Amphitheatre around Labour Day. Their first “proper” Toronto headline show isn’t until October but given their “around-ness” prior, did THAT affect ticket price for their Danforth Music Hall gig? Who cares… it’s just good to have ’em back!

Opening Acts: I’ve always had a soft spot for the macho riffing and self-aware posturing of Urge Overkill. However, their 1995 “bye bye” gig at The Phoenix also featured the Toronto debut (I think) of the equally-awesome Guided by Voices and the pre-Sweet Homewrecker hijinks of Thrush Hermit. A stacked triple bill and considering GBV were getting a ton of buzz at that time, I bet much of the audience were paying to see Robert Pollard and friends stumble around. Unfortunately, Bob got beat up.

Willingness to Tour… Ever: Most people just assumed that Jeff Mangum would never tour Neutral Milk Hotel so the fact that their ticket prices dominate the second graph is a bit of an outlier. Even by 1998 standards, $7 for any show is massively low. Also worth noting: fact Mangum did a pair of solo acoustic sets in Toronto in 2011, which may have eased demand a touch.

A few other comments:

– Everybody kinda rags on the Pixies for their never-ending reunion tour and the fact that it took them a decade to release anything new (and that was only after they gave Kim Deal the boot). However, considering how unlikely that reunion was (see “the fax story”) you think they could’ve charged more than $35 for their first Toronto show back in 2004. In many ways, they ushered in the initial wave of reunions fuelled by 1990s nostalgia (and cash… lots of it). If they had decided to suck it in 2008 instead of the hinterlands of 2004, I betcha tickets would’ve easily run $60 or more. Even at the brutal Arrow Hall, which mercifully is no longer with us as a concert venue.

– The Jesus and Mary Chain were a good band. Not amazing but solid enough. But seriously, $60+ for their 2012 show? Unlikely My Bloody Valentine, Neutral Milk Hotel or Daft Punk, the Jesus and Mary Chain had played Toronto plenty in the past so it’s not like their originally fan base didn’t have ample opportunity to see ’em in the first time around. Heck, they brought along Curve, Spiritualized and (uh) Pure to play the (friggin’) SkyDome in 1992, which is was kind of a WTF at the time and is now a massive WTF in hindsight. That concert was $12.45 BTW. Good deal!!

– Speculative: if Morrissey decides to drop the seal hunt thing and play in Canada again, would tickets START at more than $100 a piece? I think so.

– My picks for the next wave of bands that we MIGHT see playing shows again within the next five years: Oasis, the Deadly Snakes (this show notwithstanding), Galaxie 500, Gene (would we care?!?), the Kinks (would they care?!?), Eric’s Trip (again), Siouxsie and the Banshees (again), Catherine Wheel (are they even broken up?!?), Local Rabbits, Gorky’s Zygotic Mynci, Supergrass, the White Stripes