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Posts Tagged ‘Eric Clapton’

Ignored 161: Deflation rocks!

In Graphic on October 28, 2017 at 1:00 am

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Ignored 105: Kingswood was pretty cool

In Graphic on August 20, 2016 at 12:37 pm

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Ignored 102: Bruce wears a bolo tie

In Words on August 6, 2016 at 3:36 pm

Another unstructured music chat between myself and my high school pal Adam.

Adam: Apple Music wormhole: “Hey, I should find some Sam Cooke”.  Always wanted to listen to more.  Then, I find the song “Having a Party”. This is familiar, I say. Who did a cover of this?  Rod Stewart!  Let’s find that. Unplugged… and Seated. It’s so good.  Rod Stewart is a singular talent and voice.  Such great songs.  So many career phases.  Always loved.  Even during this wardrobe era…

Cam: This video may be in the all-time Top 10 of “re-enact the album cover art in the music video”…

Cam: I do think he’s underrated. i guess most people mainly know him for covers, “Maggie May”, “Tonight’s the Night”, very 1980s stuff like “Some Guys Have All the Luck” and maybe, the Faces “Ooh La La”. Pretty unique voice and steady output. always kind of a notch below Elton John but without the cool factor of Bryan Ferry, which is too bad. Great voice, very self aware, weird outfits and hair, etc. I had the album Out of Order on cassette. The one with “Forever Young”, “Lost in You”, etc. The cover was basically a look at the top of his head. Another example of “rockers pushing 50 being marketed to children” that was very popular at that time. I bet he and Steve Winwood had an unspoken rivalry for who could chew up more scenery on MTV in the late 1980s.

Adam: “Forever Young” is a monster of a song.

Cam: I love it. The 1980s were a great decade for songs called “Forever Young”…

Adam: Makes me tear up a little thinking about my kids.

Cam: Seriously. Rod’s “Forever Young” is of the ultimate “hey look, i’m a good father” videos.

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Adam: Listen to the Unplugged… album

Cam: No.

Cam: Did anybody have a sneakily good run in the 1980s as Paul Carrack? “The Living Years” with Mike + the Mechanics plus “Silent Running” or whatever that song is called, “Tempted” with Squeeze, the big solo hit “Don’t Shed a Tear”, some stuff with Ace, I think… monster decade! Also, Rod Stewart and Barry Manilow have been pretty steady in generally having the same look for decades now

Adam: “How Long Has This Been Going On” (sic).  Then, “Hey You” at the wall in Berlin.

Cam: Back to Rod Stewart. “Love Touch”, “Young Turks”. He actually had a massive 1980-1989. And the creepy stalker anthem “Infatuation”.

Adam: … And he benefited from the sex appeal thing.  Ladies loved him. He played it up. “Some Guys Have All the Luck”. He seemed like a dirty Limey with spikey hair. Then he did the “Do Ya Think I’m Sexy?” and the ladies said “YES”.

Adam: Go Jays.

Cam: I’m all in on the Jays. Feel like this season… the team that gets hot at the end wins. both leagues. It’s wide open. All the teams are flawed in some way.

Cam: Listened to Bruce’s “Brilliant Disguise” at least 4x this weekend. I know we’ve talked about his phases at length but late 1980s weary Bruce is great. The “Made in the USA” hangover. The fire is still there but subdued. Did some repeats on “Badlands” as well. Great tune but feel like it needs to be even more aggressive, angry.

Adam: Work your way through Darkness on the Edge of Town. It really works best as a full piece. Also, love how Bruce changed his image after “Born in the USA”.  He put on a bolo neck tie and a dress shirt and jacket.

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Cam: Yeah, I guess he was fuckin’ around with Roy Orbison at this time too. This wasn’t my fave Bruce look. The tailored suit. He was very lean at this time!

Adam: The video (for “Brilliant Disguise”) is amazing.

Cam: My other weekend deep dive was repeats on Funkadelic’s “Maggot Brain”. could listen to that an infinite amount of times.

Adam: It’s interesting just how grown-up Bruce wanted to look.  Was then doing the Amnesty International shows around then. Plus the first half of Tunnel of Love is a royal “f**k you” to anyone who wanted “Dancing in the Dark” part 2.  He’d toured the world on a gigantic level. Then he opens the next album with “I ain’t got you!?! (Guts)!! Side two opens with “Tunnel of Love”.  But then “Brilliant Disguise” is the highlight with one step up behind it. The echo and drum and synth sounds work best on those songs. “Tougher Than The Rest” is great and has a mean harp solo.  I’d love it sped up just a bit. This is also the Baby Boomers getting to their nostalgia phase and going old school.  Everybody loved Roy Orbison.

Cam: It’d be interesting to see what Orbison would’ve done in the 1990s if he hadn’t died. Between Mystery Girl and the Wilburys, he really ended the 1980s on a high note. It’s hard to imagine a world where Orbison and Nirvana would have co-existed. Also, his duet w/ kd Lang on the “Crying” re-record, which was (really) amazing. “I Drove All Night” is a pretty weird song, at least production-wise. I wonder if O wanted it to sound like that. Basically, you could remove the vocals and it sounds very similar to 1980s ZZ Top. Whereas Bruce put on a bolo tie and Clapton put on an Armani suit and later, a trench coat, O stayed pretty consistent look-wise since the 1950s. Though I think he was slightly more “Southern” then. He was only 52 when he died, which is laughably and obviously tragically young.

Adam: Which “I Drove All Night”? Bruce?  Cyndi (Lauper)?

Cam: The posthumous RO version. Featuring a pantless Jennifer Connolly in the video plus Jason Priestley!

Adam: Vastly superior by Cyndi! I also think that was video done posthumously.  Stock Roy footage.

Cam: I like that song. The more adult contemporary version of Gwen Stefani is basically this era of Cyndi Lauper fast forwarded by 15-20 years.She’s got a similar voice. I feel like Preistly was in another video around this time.

Adam: He was.

Cam: I might be thinking of Johnny Depp in Petty’s “Into the Great Wide Open”. Wait… the guy from Friends is in the “Night Moves” video too! I get Bob Seger and Steve Miller mixed up.

Cam: I remember a Chevrolet commercial featuring “Like a Rock” being played incessantly during Sportsdesk for years and developing a Pavlovian reaction to it, that’d remind me of getting ready for school.

Cam: Also, do we know why Chris Isaak didn’t have a bigger career? Hot video of the early 1990s. An entertainer and actor who was apparently funny. Similar hair to Morrissey. Stupid theory: Jeff Buckley destroyed his career? They kinda sorta had the same niche . Albeit, Buckley was the more indie version but equally as hunky w/ slightly more interesting songs.

Ignored 27: Cats in the well

In Uncategorized on February 24, 2014 at 4:44 am

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More thoughts from myself and high school pal Adam, talking (via Facebook) about the Bob Dylan’s Super Bowl commercial, selling out, the challenge of being a “jam band” in Toronto, hippie wiring, (re)considering Nirvana and overpriced compact discs. 

In three parts.

Part 1: The Imposter

Cam: Any thoughts on the Dylan/Chrysler Super Bowl ad? Bit of a “whatever” although I find it really strange to pick a guy lobbying for Detroit who has no obvious ties to the city. Couldn’t they have put Smokey Robinson in there instead? I guess Bob Seger would totally NOT have been marketable.

Adam: I admittedly haven’t watched it yet. The last Dylan thing I saw was the fabulous interactive video for “Like a Rolling Stone”. Only heard about it a few days ago on the Sklar Brothers’ Podcast, as they did bad impressions of Dylan as your car’s internal navigation system. “turn right ahead” (insert your own bad Dylan impression here). Now I have to watch it. Bob Seger, I believe is long spoken for. Have you so quickly forgotten “Like a Rock”?  A song that essentially only exists anymore in 30 second chunks, including that great guitar solo at the end, and “Oh, like a rock!”.  Kid Rock must’ve been too busy doing lines of coke off strippers’ (uh.. bodies).

Cam: … and Eminem was tied up in litigation with family members. Totally forgot the Seger/”Like a Rock” turn and never did the math about the Detroit connection. I think that commercial played 3-4 times/hourly on TSN Sportsdesk circa 1989-1993. Theory: could Dylan have been a more legit actor if he’d wanted to? He had a few small roles and I could see him being VERY funny if used properly in films 1970s and onwards. And not just in that Neil/Waits/Keith “let’s give them a weird background cameo”-type role. He actually looked fairly spry in the Chrysler spot.

Adam: Um…have you watched Masked and Anonymous? THERE is Dylan acting. I love Bob and everyone in that movie (who also love Bob too), but in no way can I watch that whole thing start to finish. Bob IS Mr. Cryptic. On purpose. I remember reading an article about him right after 9/11 (Love and Theft came out that day), and there were pictures of him playing cards on the bus and reading a Baseball Weekly magazine  in a convenience store. I was amazed by both of these. You mean he’s actually a human male? I think he’s acting when he finishes a show and stands before an audience. He doesn’t bow, doesn’t even hardly acknowledge the crowd but glares at it. It always made me laugh when I saw him do it. Bringing it back to Masked, check out the spectacularly fantastic “Cold Irons Bound” video that rocks full out. I have always been amazed by how he barely nods his acknowledgement of the applause the crew gives him. He is also Mr. Improv, performing songs as he wants in the speed he wants. At the Concert for Bangladesh, he famously threw off Ringo when he changed the time signature to “Hard Rain” for the second performance. I find in commercials, he tends to stand there looking mysterious like the “beyond here lies nothing” commercial I think they did for Victoria’s Secret. Because CLEARLY an aging Zimmy makes me think of breasts.

Cam: Oh! I always assumed that the “watchtower” of song was merely innuendo for… well, you know. I’m not a Dylan mark by any stretch but I do find him kinda fascinating in so far as he is almost universally regarded as the authentic REAL voice of a generation. And yet his name, image, persona and pretty much everything is completely fabricated. This makes no comment on his songwriting or abilities as a musician. Has he not made a career out of “being weird for the sake of being weird” and yet he’s beloved because his songs (at least to start) were seen as entirely authentic? He wasn’t as overtly feisty or “difficult” (in an obvious sense) as Neil Young but his image is maybe more impressive overall because he’s never really broken character in, what, 50 years?!? Not surprisingly, there was some “Dylan sells out” whining on the Internet RE: that Super Bowl ad. I’m trying to think of what artist of “our generation” (i.e. guys or gals who showed up late 1980s thru early 2000s) would’ve generated the largest amount of outrage if they were in that commercial. I’d say Eddie Vedder. By a wide margin! I’d round out my Top Five with Thurston Moore, Michael Stipe, Tori Amos and Trent Reznor.

Part 2: They’re dead

Adam: (Ed: I’ve chopped out a bunch of Major League Baseball chatter. Email me if you MUST know and I’ll give you the gist). I never saw the Grateful Dead proper.

Cam: Assume they played MLG when they gigged in Toronto?

Adam: They hadn’t been in Toronto since 1987 and had played Kingswood. They were coming to the SkyDome on Yom Kippur for the fall tour 1995 when Jerry up and died.

Cam: That’s crazy. Did they just not play Canada? Assume there’d be all sorts of border issues with their crew?!?

Adam: There were issues. They did play Hamilton a couple of times. Rather famously in 1990, I believe. They don’t come up here much even now. Bob Weir actually got held at the border two summers ago on his way to the Ottawa Blues Fest. Some (scalliwag) at the crossing out by Kingston gave him a hard time about a bust on his record from 1968. They’ve also got guys on their road crew who have border issues. Plus while they are very big east coast and even upstate NY, a lot of those deadheads don’t or can’t cross the border. Phish also don’t come up here much. Last summer was first in 10 years I think. That’s why we drive to Buffalo and Darien Lake and Rochester and Syracuse and Saratoga.

Cam: In general, it kinda seems like a lot of jam bands were far less popular in Toronto than they were elsewhere? I saw the String Cheese Incident out of curiosity at the Phoenix in 2001 or so. Pretty sure they were doing amphitheaters in parts of the US around that time. Maybe this was moreso a product of aforementioned border crap and whatnot. With Weir, a border guard could literally product any number of hard over books that outline their drug use. Hard to live down, I guess.

Adam: They can’t draw any regional fans besides Canadians here. ‘heads as a rule road trip. Toronto has a big jam band base. But if you look at the college culture in the States and how that fosters bands like String Cheese or even the Avett Brothers, etc. In Toronto, they’re playing the Danforth Music Hall or the Opera House or Queen Elizabeth Theatre instead of amphitheatres

Cam: Yeah, for those bands, there is a whole different “star” system up here. Maybe it’s just because we’re older but at our school, there definitely were different camps based what kind of music you like: jammies/potheads (Dead, Phish, DMB), grunge kids (PJ, Nirvana), skids (GnR Use Your Illusion, Metallica, Megadeth) and a small amount of goth kids (namely, some lil’ scamp who had a leather jacket with the Smiths’ Meat is Murder cover on the back… he was cool). Strangely, the only band i can think of that sort of reached all these groups…. Blind Melon!!!

Adam: Very funny. Yes. That one song. But heavy bands hated when they released such commercially palatable stuff like that.

Cam: You remember Evad? He did morning announcements so we used to give him songs to play on the two-minute warning. He used to delight on banning certain songs (namely, Matthew Sweet’s “Sick of Myself” since he thought the title promoted negative thinking) while letting other more obtuse choices “go to air” (namely, Ministry’s cover of “Lay Lady Lay” and the album cut of Sonic Youth’s “Teenage Riot” ).

Adam: Funny. I remember grunge when it started. I always hated it. Nirvana has only gotten worse with time. We went to see the Addams Family (Values?) at the Eaton Centre with (some dudes). They bought Nevermind. I bought Bryan Adams’ Waking Up the Neighbours at the big “Sams“. I tried liking Pearl Jam to impress a girl, but could only listen to three songs on Ten. Anything too hard was unlistenable. And yet, the first time I heard “Terrapin Station”, I felt my heart lift and I danced. Wired to be a hippie.

Cam: Clearly! Yeah, it’s funny in retrospect that PJ were CLEARLY just “hard rock” more than anything. And wildly earnest in a way you could only be in 1992. Do you remember the CD liner notes for Ten? You unfolded it into a “poster” and it ended up with the band members doing one of those “one…. two… three… BREAK” unity poses. Completely the opposite of the jaded, cynical manner in which Nirvana were marketed. I guess that’s why those bands were enemies. Well, “enemies”. Trying to think what local Toronto jam bands of that era were. Gypsy Soul? Later… the New Deal?

Adam: Man, we LOVED Gypsy Soul. Saw them open for Blues Traveler at the Kool Haus. Then, we went to see then at “the Elmo”. I still love that album. Very listenable. Saw the lead singer with the dreads up on the lawn at the Amphitheatre once. The trumpet click on the Lawrence subway platform. We though she was the coolest. Deep on my high school “I’m self identifying as a hippie ” phase.

Cam: I could totally be imagining this but I remember being in cahoots with some folks to curate a “massive” festival that would feature Gypsy Soul headlining with support from a hip-hop band called Graffiti Logic (Evad’s view: “there’s no logic in graffiti”) and 2-3 high school bands.

Part Three: Late 20th century rip-off

Cam: If you want to see a real capsule of those times, check out the 1992 or 1993 MTV Music Awards… you’d see Eric Clapton, Nirvana, En Vogue, Pearl Jam, Snoop Dogg, Bryan Adams, Black Crowes, Mariah Carey… all performing on a single show.

Adam: I have no recollection of that. Seriously.

Cam: I think in a broader sense, kids are more open to different types of music these days. But in a more micro-focused Top 40 sense, those days were really scattered… you’d have Clapton, Garth Brooks, Nirvana, Bell Biv Devoe in the Billboard Top 10. non rhyme-or-reason (pun intended?), style-wise.

Adam: It was just each genre putting it’s points up on the board. The glory days for Columbia/Sony. With us paying $18 for new release CDs.

Cam: Such a wracket! Plus everybody would care for their CDs like they were precious gems. Polishing solutions, etc. I used to think if you touched the CD’s “underbelly”, the whole thing would erase!

Adam: I was remembering yesterday the wonder of looking at my first CDs.

Cam: I like that moment music nerds have during format changes: do I splurge the extra $6 for the CD or just cheap out and get the cassette?!? The TRUE measure of how much you like a band!

Adam: There’s a great line in Men in Black where K is showing I all the alien technology. This is going to replace CDs soon, guess I’ll have to buy the white album again. I’ve had Graceland on LP, tape x2, CD x 3. Remastered was the first repurchase which made a huge difeewnce. My big pet peeve is when HD Chanel’s play SD movies.

Ignored 25: #Knopfler etc.

In Uncategorized on February 3, 2014 at 5:35 am

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I recently reconnected with a high school friend via Facebook, fueled by some past CompletelyIgnored.com pieces. The conversation veered from Dire Straits (within a broader musical universe), the Major League Baseball Hall of Fame, ghostwriting, re-casting the Traveling Wilburys, people’s expectations of U2, Roy Orbison’s legacy and how Steve Winwood used to be really popular amongst little kids.

For the sake of this transcript, he shall be “Snake” and I shall be “Fox”.

Here is the conversation…

PART ONE

Snake: Last night, I was watching the Everly Brothers playing with Chet Atkins and friends, wondering how it was that neither Mark Knopfler nor Dire Straits are in Cleveland. It’s a very short arc of thought. I’m a Rolling Stone junkie, but the most I care about RS covers are when they don’t put a legendary and recently deceased musician (Clarence) on it.

Fox: Dire Straits probably would be remembered completely differently if it wasn’t for the “Money for Nothing” video. Rightly or wrongly, he’s always going to be “that guy with the head band who hung out with animated movers” to a lot of people.

Snake: I hate getting nerdish on this like i used to have about Gary Carter being left out of the HOF for seven years inexplicably. Look at the body of work he (ed. either?) put out in the 80’s. His Prince’s Trust presence (he and Clapton on guitar, Elton on keys, Collins on drums)….see, here I go. i think it’s because Dire Straits broke up after the ’92 tour, and his early solo stuff leaned too Celtic at times and was a little underwhelming to have broad commercial success. Perhaps I’d also question who he influenced musically.

Fox: Ooh, here’s another theory: did Mark Knopfler get overshadowed by Tom Petty and the Heartbreakers from late 1970s to early 1990s? Think about the similarities! Both appeared mid/late 1970s, hard to classify (not “classic rock”, not New Wave but enjoyed by hard rock fans, some punks, little kids, critics, etc.), moved seamless into the MTV era by using innovative videos to distract from the fact their singers were weird looking. Petty got the eventual long-term recognition, maybe because he was American and Knopfler wasn’t?!? Parallel: Carlton Fisk overshadowing Gary Carter. Fisk made the HOF in his second year while Kid had to wait six. Makes no sense on paper based on their stats. I’d suggest this was largely fueled by the conscious/subconscious impact of the visual of Fisk waving that ’75 WS home run fair (a series his team DIDN’T EVEN WIN!!) in countless MLB video packages. The true crime is Ted Simmons arguably had a better career than either of them and he was off the ballot in his first year, collecting a scant 3.4 per cent of the vote. Check it: http://bit.ly/1dNH92n

Snake: I resented all the defacto glamour that Fisk got because of that homer. Maybe because Gary played the first part of his career in Montreal? But he was me clutch in New York and was a better defensive catcher.

Fox: Yeah, I think the Carter/Montreal thing was a factor. Similar rationale maybe explains why Dave Winfield was a first ballot HOFer and Andre Dawson took eight tries before he got in? Anyway, I’m working on a kick-ass Bob Boone / The J. Geils Band analogy. Will advise.

PART TWO

Fox: I had no idea Knopfler wrote Tina Turner’s “Private Dancer”. Would’ve been (strange) if Dire Straits had done that tune instead (shudder)

Fox: I know. Hadn’t thought of that in a while. Haven’t ever heard him sing it. I imagine it as a pretty straight forward straights tune that has a long instrumental finish. Like a bonus track from making movies.

Fox: Best line from the Wiki entry: “Mark Knopfler considered that they were not suitable for a male to sing“… no (guff)

Snake: He also produced Dylan’s Slow train and played a bunch on Infidels. “Sweetheart Like You” and “Precious Angel” are two or my favorite Knopfler riffs. Knopfler should also get actual points for being part of the Jerky Boys (ed. -style) prank call tape. I gotta hire you first guy! Mark, Mark Knopfler!

Fox: (Darn), forgot about those! Cant recall if I promoted my former blog The Reset Button on Facebook? A recast Travelling Wilburys with Knopfler in the Harrison role?

Snake: Ric Ocasek? That’s Elvis Costello now.

Snake: Though Lynne was also serving as producer for everything with that same sound from Cloud Nine and “Into The Great Wide Open” and that Orbison album.. And then the Beatles tunes.

Snake: Check out a song called “When the Beatles hit America” by John Wesley Harding. Very cool line about it sounded a lot like ELO…

Fox: Hmmm. I think you need somebody more obscure in the Jeff Lynne role. less famous than everybody else… but still massively popular within the context of THEIR ELO. Nick Lowe?

Snake: Was reflecting last night while rewatching Rattle and Hum that (it) was the first rock and roll I found myself that I didn’t know if my parents would like. I remember getting the cd single of “Angel of Harlem” at the Towne and Countrye Music World. And then wanting to know who Charles Manson was, and what the hell that meant about stealing the song from the Beatles. It propelled me down that path. Getting the Wilburys tape at 11 was equally significant. A devoted Beatlemaniac, Dylan disciple, and worshiper at the alter of rock and roll.

Snake: Ryan Adams? Though too antisocial.

Snake: Have you watched the Harrison movie? There’s great footage of them messing around in the kitchen writing. Then recording. They were just hanging out.

Snake: How about Tweedy and Jim James?

Fox: Like the Jim James suggestion. Physically, that could work and he’s got that “oh ya, the guy from THAT band” thing going on. I’ve never gone too deep with U2 beyond hearing the singles really but I’m assuming Rattle and Hum is kinda vexing for the fans? They were in basically a no win situation following up The Joshua Tree so whatever they did would seem secondary. But still, does anybody really care about any of those songs anymore? Aside from “All I Want is You” (think that was that album?!?) which was one of the latter singles from the album and yet the one with the biggest legacy. From y’know, weddings ‘n (stuff).

Fox: Will definitely try to track down that Harrison footage. Seems like one of the few legit “super groups” that was at all authentic. And pound-for-pound, has to be the best from a critical/commercial perspective.

Snake: Good call. I remember reading that while The Joshua Tree was massive here and Rattle… a let down, in England, it was the other way around. It really was no win for them. Black and white was kind of pretentious and I recall people thinking that it was kinda naive that they were discovering all this music that had long been around. I don’t feel that way. They were reverential and clearly raised on rhythm and blues. It’s absolutely worth watching. Jim James also works as an Orbison replacement. Because of the high voice.

Fox: In fairness, every video during that era was (A) either black and white (B) shot in an empty arena or bar. Often… both! See: Simply Red “If You Don’t Know Me By Now”. Basically, it was essential to have at least one janitor in your video. Unrelated, is there a reason nobody under 55 ever talks about Roy Orbison? I mean, seriously. Best voice, awesome songs, weird image, died young… seems like it’d be a natural for hipsters to namedrop in lieu of Johnny Cash or even Willie Nelson.

Snake: See also that Roy Orbison and friends video, Black and White Night. Empty stadium is a great call. I picture a Bon Jovi video. “Hey let’s save money and record the sound check!” Roy wasn’t cool. At least, I didn’t think he was so much. Maybe the high voice. Johnny have the finger and wore black. Willie smokes weed. Roy had the shades. But was he blind? I feel like he fell into the golden oldies hole of the 70s/80s. Rock and roll fans got bored of their heroes until they got older. I don’t feel like country goes out of style for country fans. Roy also was very one dimensional. Those other guys are outlaws. Roy was the odd man out of the Wilburys too. They just loved him and wanted to be around him. Fanboys.

Fox: Also, in hindsight. think how strange it was that in 1987-1990, music being marketed to little kids (i.e. us) included Roy Orbison, Steve Winwood, Willburys, the Rolling Stone “Steel Wheels”. These were bands that had been around over 20 years already and still in the Top 40. You’d NEVER see that today for a rock band with maybe the exception of the Chili Peppers and (I guess) Foo Fighters.

Snake: It was the baby boomers kids. That was just the pop music at the time. All the heritage acts that came up with new material of any value got their exposure. Remember that the industry likes predictability. They were marketing at us via our parents. Or am I makin this up as I go.

Fox: Yeah, Roy was soft-spoken, quite effeminate, quite possibly blind (or going for a blind look). Remember the “tough” Roy Orbison single “I Drove All Night”? He still sounded wildly precious over top that bad 1980s production (a great song BTW… and obviously, a black and white video)

Fox: Just saw the IMDB for the Harrison doc. Wow, totally missed that. Never heard of it. Was it “a big deal” when it came out? Normally pretty clued into this stuff.

Fox: You’re also right about marketing to baby boomer kids via actual baby boomers. I mean, record execs were all “hey, the keyboard player from the Spencer Davis Group… these eight-year olds are gonna eat this (stuff) up!!!”

Fox: Ha! Maybe he’s cooler than I thought. The missed opportunity for his publicist was “In Dreams” appearing in Blue Velvet. Between that, Nick Cave covering “Running Scared”, Wilburys and Mystery Girl plus that b+w special, he was on the comeback. And then he died.

Snake: It’s really wonderful. Can’t say enough good about it. Doesn’t feel like Scorsese. Kinda like no direction home. If you subscribe to Beatlemania as the one true religion (or if you just thought George was awesome) watch it. Was on the box when it came out and I got the DVD for my birthday. There is a lot of insight into that in the movie. You’ll eat it up.

Fox: Will definitely check it out. It’s been ages since I’ve seen a music doc and really know nothing about GH besides the basic and the Weird Al parody “This Song is Just Six Words Long”.

Snake: I remember the first time I heard “Roll with It”. He was so cool. Plus back in the high life was a great album. He was really young with the Spencer Davis group and was still young and hip in the 80s. He had an album called arc of a diver in the early 80s with a great song called night train. Think too about how the boomers would love the whole concept of back in the high life. Also, a great great cover of that tune by Warren Zevon. Love Winwood.

Fox: I had Back in the High Life and Roll With It. Both on cassette from Columbia House!!! My Winwood arch…. 1986-1989: love him when I was 9-12…. 1990-1993: quit music fandom to become a full-time sports nerd… 1994-2001: MLB goes on strike, get really into indie rock, pretend that I never knew Winwood existed (much less owned the albums)… 2002-present: get burned out on indie, listen to only 1960s music for two years, read somewhere Jimi Hendrix was scarred (senseless) of Windwood’s musical chops, realize the Spencer Davis Group were awesome.

Snake: He was a fascinating guy. It’s awesome.

Snake: That’s a wonderful arch. Very funny.