completelyignored

Posts Tagged ‘Ice Cube’

Ignored 80: Fakeapalooza

In Graphic on April 6, 2016 at 3:48 am

Ignored80

Ignored 74: Font headliners

In Uncategorized on January 15, 2016 at 4:24 am

ignored74

Ignored 72: The long game

In Uncategorized on December 8, 2015 at 4:27 am

ignored72

Ignored 29: An education

In Uncategorized on March 10, 2014 at 2:39 pm

#ignored29

As a lifelong music fan, there will be times when you remember things wrong, assume an artist is something they’re not and have various WTF memories and misappropriations seep into your consciousness. The Internet and various reference manuals can help clear up these mistakes while others will follow you to the grave. It’s fun!

Here is a small sampling of musical misunderstandings I’ve had over the years. Obviously since I’m now writing about them on a WordPress blog, I’ve cleared up the details.

The video was Men without Hats “The Safety Dance” wasn’t an actual song but rather, a TV show for kids or maybe a TV commercial. This was 1984.

The video for M+M’s “Black Stations White Stations” wasn’t an actual song. Rather, it was a bumper for Citytv. In the spirit of Mark Daily’s “Citytv: Everywhere” contributions. Again, this was 1984.

The Fat Boys was a TV show and not a band.

Lou Gramm and Lou Reed were the same guy.

Strange Advance and the Escape Club were the same band. Confusion rooted in the former’s “Love Becomes Electric” and the latter’s “Wild Wild West”. Note: these songs sound nothing alike.

The Who and the Guess Who were the same band.

The Band were fictitious. No one where this came from. I think maybe I was vaguely aware of The Last Waltz and thought these were actors playing a band. Potential crossed wires when I became aware of other real fake bands like Spinal Tap and The Commitments.

Jeff Lynne from the Traveling Wilburys was not a real musician but actually somebody famous (not sure who… maybe an actor?) wearing a disguise.

Jane’s Addiction were Canadian and later, I’d confuse them with the Leslie Spit Treeo. The former’s “Been Caught Stealing” and the latter’s cover of John Prine’s “Angel from Montgomery” were both in rotation on 680 CFTR at the time. I think the opening of “Been…” with the dogs barking threw me somehow.

Spandau Ballet and Roxy Music were the same band.

Ice-T changed his name slightly and became Ice Cube.

Rumble was British. Aside: was there a more random one-hit wonder from this era? Some Jamaican guy from Toronto rapping over a Massive Attack song and hitting the Top 40.

James was a guy and then upon learning James was a band, assuming they were a heavy metal band. Later, I thought the song “Laid” was a Spirit of the West song. I was so confused.

Primus was a heavy metal band. Fair assumption since most people who liked Primus in 1993 were also into Metallica et all.

Pavement were a heavy metal band. The name just sounds heavy. There’s a scene in Pavement’s Slow Century DVD where Sonic Youth’s Thurston Moore cops to making the same assumption. Also, I thought their drummer Steve West was the singer for the longest time.

Dinosaur Jr were from the UK. Reason: their 1994 release Without a Sound came out on the UK-based imprint Blanco y Negro which I naively assumed meant they must be British too.

Sloan were from Boston.

The Cranberries were from Canada.

Catherine Wheel was a lady. I’m assuming more than half of 102.1 listeners of the 1990s also made this assumption?

Molly Hatchet was a lady.

Bettie Serveert was a lady.

PJ Harvey was a dude.

Pop Will Eat Itself were German. This was based purely on their 1994 single “Ich Bin Ein Auslander”. Once I learned they were British, I tried to share this knowledge with anyone who cared (estimate: 3-4 people, tops) and always got massive push back from people who insisted they were German, namely because of this song and also, their hair. Pre-Internet, these debates raged for months.

Tha Dogg Pound were a band that contained Snoop Dogg Dogg, Nate Dogg and friends. 95 per cent certain that Suge Knight hoped that the record buying public would make the same assumption. They did briefly.

 

Sugar’s Beaster EP was actually an EP by the Beastie Boys. Beaster was one of those CDs you’d always see in vast quantities at used CD shops and whenever I’d catch a glance at this disc, I kinda just assumed it was a Beastie Boys’ release with some alternate spelling. In part, I think there was some confusion with the Beasties’ Some Old Bullshit EP that came out around the same time. Aside: has their even been a band with worse cover art than Sugar?

Buffalo Tom and Grant Lee Buffalo were the same band.

Tristan Psionic and SIANspheric were the same band.

Paul Weller and Paul Westerberg was the same dude.

 

The dude L.V. who sang the chorus of Coolio’s “Gangsta’s Paradise” was Luther Vandross. Not sure if I really believed this or just WANTED to believe it. It would’ve been a really unlikely transformation and pretty funny that Vandross could up his cred by reducing his stage to sinister…. initials!!! Also kinda funny: the real L.V. stood for “large variety”.

Big Star influenced the Beatles. My roommate in first-year university told me this and I just went with this. Obviously, this timing makes no sense since the Beatles were toast by the time Big Star even formed.

Peter Schilling’s “Major Tom” was actually sung by David Bowie. Obviously some confusion RE: Bowie’s “Space Oddity” and no doubt, Schilling was hoping to profit from the confusion. Note: the voice on “Major Tom” sounded nothing like David Bowie.

Yo La Tengo and Pizzicato Five were the same band.

The Birthday Party and the Wedding Present were the same band. This was fueled by the same gaff made in Alan Cross’ first book The Alternative Music Almanac where they mislabeled a shot of the Wedding Present playing at Lee’s Palace as the Birthday. The horror!

Death Cab for Cutie were heavy.

Crystal Castles were from either Europe or Chicago.

Wolf Eyes and Japanther were the same band and both from Toronto. Neither/nor.

Deerhunter and Deerhoof were the same band. Also, Deerhunter were heavy.

Big K.R.I.T. was British. He laid down some rhymes over an Adele track, after-all.

Mac Miller and Mac DeMarco were the same dude.

Ignored 26: Summer good/bad

In Uncategorized on February 16, 2014 at 9:30 pm

ignored26

The concept of “summer” has a bit of a personality crisis in the world of popular music.

Some songs about summer contain lyrics about having fun, basking in sunlight, the kind of activities that Jimmy Buffett is into, etc.

Some songs about summer contain lyrics about #heavy topics such as growing old, lost love, dying, getting ready to die, etc.

Naturally, it’s about time that somebody created a(n) (info)graphic that maps summer songs on a continuum with “partying” being the ceiling of the positive and “death” being the floor of the negative.

Criteria for inclusion
1. Must have the word “summer” in the title
2. Must be on my iPod.

The (info)graphic is below along with some observations about a few of these tunes.

Summer2014

The Manic Street Preachers sing “Die in the Summertime”: An easy choice as the floor. Key lyric: “I wanna die/Die in the summertime/I wanna die”. Not much ambiguity there.

Ice Cube sings “My Summer Vacation”: This popular children’s song talks about an LA turf war that spills over into St Louis and elsewhere. Personally, I like to think that Ozzie Smith’s iconic home run off Tom Niedenfuer could have been a bit of bedrock for this conflict? Maybe? Please?

Love sings “Bummer in the Summer”: Love’s Forever Changes came out in 1967. I had no idea “bummer” was even an expression back then. Totally seems like more of a late 1980s’ thing.

Michael Legrand sings “The Summer Knows”: My choice for the most melancholy tune on this (info)graphic. Impressive considering it’s an instrumental although I will confess, I actually have the Henry Mancini version, not the Legrand original. Unrelated, Legrand’s niece is the singer in Beach House.

Banarama sing “Cruel Summer”: This song is technically not about work. However, I mainly remember the video depicting the three (uh) Banaramers working on their car as part of a gig at the gas station. In a pivotal moment, the baggy-clad beauties hijack an 18-wheeler (by dancing!) and engage in a low-speed chase from the cops. As part of the getaway, they actually throw banana peels at the officers in a callback (of sorts) to their name (cc: Fiona Apple, Peaches).

Victoria Williams sings “Summer of Drugs”: I was really on the fence if this was a positive or negative song. If it wasn’t for the part about the snake bite and the swelling that resulted, I’d probably make it the former.

Richard Marx sings “Endless Summer Nights”: ICYMI: a recap of a Richard Marx Twitter fight where he wanted to settle a score with a Chicago blogger “like men”.

Cocteau Twins sing “Frou-Frou Foxes in Midsummer Fires”: Not so much about drugs. But sounds druggy. See also Mogwai and Galaxie 500.

Queens of the Stone Age sing “Feel Good Hit of the Summer”: Very much about drugs. Sounds druggy.

North Star Camp Kid’s Chorus sings “Are You Ready for the Summer?”: I’d really like to know how this song found its way on my iPod. Also, I just learned my dad hates Bill Murray. Need more details on this.

Bryan Adams sings “Summer of ’69”: If it weren’t for the CRTC and CanCon, would this song have come under more scrutiny from censors and Tipper Gore wannabes? I mean, check the song title. It’s not exactly subtle.

Mungo Jerry sings “In the Summertime”: Crazy sideburns.