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Posts Tagged ‘Rod Stewart’

Ignored 158: When rinks rawk…

In Graphic on September 24, 2017 at 11:55 pm

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Ignored 102: Bruce wears a bolo tie

In Words on August 6, 2016 at 3:36 pm

Another unstructured music chat between myself and my high school pal Adam.

Adam: Apple Music wormhole: “Hey, I should find some Sam Cooke”.  Always wanted to listen to more.  Then, I find the song “Having a Party”. This is familiar, I say. Who did a cover of this?  Rod Stewart!  Let’s find that. Unplugged… and Seated. It’s so good.  Rod Stewart is a singular talent and voice.  Such great songs.  So many career phases.  Always loved.  Even during this wardrobe era…

Cam: This video may be in the all-time Top 10 of “re-enact the album cover art in the music video”…

Cam: I do think he’s underrated. i guess most people mainly know him for covers, “Maggie May”, “Tonight’s the Night”, very 1980s stuff like “Some Guys Have All the Luck” and maybe, the Faces “Ooh La La”. Pretty unique voice and steady output. always kind of a notch below Elton John but without the cool factor of Bryan Ferry, which is too bad. Great voice, very self aware, weird outfits and hair, etc. I had the album Out of Order on cassette. The one with “Forever Young”, “Lost in You”, etc. The cover was basically a look at the top of his head. Another example of “rockers pushing 50 being marketed to children” that was very popular at that time. I bet he and Steve Winwood had an unspoken rivalry for who could chew up more scenery on MTV in the late 1980s.

Adam: “Forever Young” is a monster of a song.

Cam: I love it. The 1980s were a great decade for songs called “Forever Young”…

Adam: Makes me tear up a little thinking about my kids.

Cam: Seriously. Rod’s “Forever Young” is of the ultimate “hey look, i’m a good father” videos.

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Adam: Listen to the Unplugged… album

Cam: No.

Cam: Did anybody have a sneakily good run in the 1980s as Paul Carrack? “The Living Years” with Mike + the Mechanics plus “Silent Running” or whatever that song is called, “Tempted” with Squeeze, the big solo hit “Don’t Shed a Tear”, some stuff with Ace, I think… monster decade! Also, Rod Stewart and Barry Manilow have been pretty steady in generally having the same look for decades now

Adam: “How Long Has This Been Going On” (sic).  Then, “Hey You” at the wall in Berlin.

Cam: Back to Rod Stewart. “Love Touch”, “Young Turks”. He actually had a massive 1980-1989. And the creepy stalker anthem “Infatuation”.

Adam: … And he benefited from the sex appeal thing.  Ladies loved him. He played it up. “Some Guys Have All the Luck”. He seemed like a dirty Limey with spikey hair. Then he did the “Do Ya Think I’m Sexy?” and the ladies said “YES”.

Adam: Go Jays.

Cam: I’m all in on the Jays. Feel like this season… the team that gets hot at the end wins. both leagues. It’s wide open. All the teams are flawed in some way.

Cam: Listened to Bruce’s “Brilliant Disguise” at least 4x this weekend. I know we’ve talked about his phases at length but late 1980s weary Bruce is great. The “Made in the USA” hangover. The fire is still there but subdued. Did some repeats on “Badlands” as well. Great tune but feel like it needs to be even more aggressive, angry.

Adam: Work your way through Darkness on the Edge of Town. It really works best as a full piece. Also, love how Bruce changed his image after “Born in the USA”.  He put on a bolo neck tie and a dress shirt and jacket.

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Cam: Yeah, I guess he was fuckin’ around with Roy Orbison at this time too. This wasn’t my fave Bruce look. The tailored suit. He was very lean at this time!

Adam: The video (for “Brilliant Disguise”) is amazing.

Cam: My other weekend deep dive was repeats on Funkadelic’s “Maggot Brain”. could listen to that an infinite amount of times.

Adam: It’s interesting just how grown-up Bruce wanted to look.  Was then doing the Amnesty International shows around then. Plus the first half of Tunnel of Love is a royal “f**k you” to anyone who wanted “Dancing in the Dark” part 2.  He’d toured the world on a gigantic level. Then he opens the next album with “I ain’t got you!?! (Guts)!! Side two opens with “Tunnel of Love”.  But then “Brilliant Disguise” is the highlight with one step up behind it. The echo and drum and synth sounds work best on those songs. “Tougher Than The Rest” is great and has a mean harp solo.  I’d love it sped up just a bit. This is also the Baby Boomers getting to their nostalgia phase and going old school.  Everybody loved Roy Orbison.

Cam: It’d be interesting to see what Orbison would’ve done in the 1990s if he hadn’t died. Between Mystery Girl and the Wilburys, he really ended the 1980s on a high note. It’s hard to imagine a world where Orbison and Nirvana would have co-existed. Also, his duet w/ kd Lang on the “Crying” re-record, which was (really) amazing. “I Drove All Night” is a pretty weird song, at least production-wise. I wonder if O wanted it to sound like that. Basically, you could remove the vocals and it sounds very similar to 1980s ZZ Top. Whereas Bruce put on a bolo tie and Clapton put on an Armani suit and later, a trench coat, O stayed pretty consistent look-wise since the 1950s. Though I think he was slightly more “Southern” then. He was only 52 when he died, which is laughably and obviously tragically young.

Adam: Which “I Drove All Night”? Bruce?  Cyndi (Lauper)?

Cam: The posthumous RO version. Featuring a pantless Jennifer Connolly in the video plus Jason Priestley!

Adam: Vastly superior by Cyndi! I also think that was video done posthumously.  Stock Roy footage.

Cam: I like that song. The more adult contemporary version of Gwen Stefani is basically this era of Cyndi Lauper fast forwarded by 15-20 years.She’s got a similar voice. I feel like Preistly was in another video around this time.

Adam: He was.

Cam: I might be thinking of Johnny Depp in Petty’s “Into the Great Wide Open”. Wait… the guy from Friends is in the “Night Moves” video too! I get Bob Seger and Steve Miller mixed up.

Cam: I remember a Chevrolet commercial featuring “Like a Rock” being played incessantly during Sportsdesk for years and developing a Pavlovian reaction to it, that’d remind me of getting ready for school.

Cam: Also, do we know why Chris Isaak didn’t have a bigger career? Hot video of the early 1990s. An entertainer and actor who was apparently funny. Similar hair to Morrissey. Stupid theory: Jeff Buckley destroyed his career? They kinda sorta had the same niche . Albeit, Buckley was the more indie version but equally as hunky w/ slightly more interesting songs.

Ignored 67: 100,000,000 records sold

In Uncategorized on September 8, 2015 at 12:07 am

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Ignored 60: People on the street

In Uncategorized on June 7, 2015 at 11:55 pm

I talked to my high school pal Adam about Neil Young in the 1980s (again) and the conversation morphs a few times, including a discussion about Phil Collins being the Ben Zobrist of his era.

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Cam: Have you seen this before?

Adam: Can’t watch it on my phone. Thought momentarily it was the video for his song “Ordinary People” off Chrome Dreams 2. The epic 18 minute song that goes on forever but is actually pretty good. Saw him play it during the electric set at Massey for that tour.  Top 10 show for me that was.  I do not get crazy worked up for recent Neil as others do but I adored Prairie Wing and really liked Chrome Dreams II. Neil alone in the organ playin’ “A Man Needs a Maid” is the most beautiful thing I’ve ever seen.

A: Springsteen’s The Rising came on in truck today and I was briefly flooded with how significant this album was post -9/11.

C: It seems like 9/11 and that album totally put Bruce in a different context. Jolting him out of his 1990s slump/”slump”. Never really heard indie rock kids applauding Born to Run or The River prior. Seems like that circle complete when he led the Grammies’ tribute to Joe Strummer a few years later, alongside SVZ, Elvis Costello and Dave Grohl. Still kind of a weird moment. I feel like Neil might have one or two more “good” albums in him before he checks out. His legacy is pretty insane and don’t think it’ll fully sink in until he’s gone.

A: Of course it won’t. He had a lot of things that weren’t appreciated at the time but with time, stand as documents. If you didn’t go to the Greendale show expecting to hear “Heart of Gold”, then Greendale was fine.  His live shows were disappointing for some people for that reason but it gets a lot of play. Anyway, I’ve been listening to a few songs off the Rising recently. Currently “Into the Fire”. My goodness. That song haunted me.  Saw you disappear up the stairs, into the fire…love and duty called you someplace higher.  That’s so powerful, I still get chills thinking of it.  What a brilliantly poetic way to write about 9/11

C: Hate to say… 75 per cent of the times, I want to hear “the hits” when I go to a new concert. There’s a small # of bands where I’m curious to hear whatever they put out (Mogwai, Dinosaur Jr, Beach House) but otherwise, I’m lazy. Interesting that The Rising holds up. Seems very much like a place/time album… although I think it was all recorded before 9/11, no?

C: What are your thoughts on “Dancing in the Dark”? I love this song but an example of a tune that was turned into something quite different due to the 1980s production. Reminds me of 98.1 CHFI (not a bad thing). I can totally see the Ramones singing this! (Ed. I was thinking of “Hungry Heart”).

A: Only “City in Ruins” was written before.  My God, that performance he did on the first concert on TV….  America: A Tribute to Heroes was the start of it all.  No introduction. No words, just blowing into that harp like it was crying. Here’s a prayer for our fallen brothers and sisters…. There’s a blood red circle, on the cold dark ground, and the rain is falling down.  I’ll never forget that.  It’s a part of the narrative.  The final chorus of C’mon, rise up gives me chills every time.  It felt like he was telling us it was going to be OK despite the pain. It was a call to action. Nobody else could have done it. Not Bono. Not Petty. Not Dylan. That was the first step of his monumental rebirth creatively.

A: RE: “Dancing in the Dark”. I love that song. Every time. Hate it live. The synthesizer is a must.  The video. The tight jeans and white top. Courtney Cox. The dance. It’s a perfect pop song.

C: Yeah, Bruce certainly pulled off the “shirtless w/ leather vest” look better than Bono, who was rocking that look at lot around the same time. I don’t know if it’s intentional but I like that that clip is literally shot with him in the dark for a lot of it. Sounds pretty sweet w/ the horns in there. Totally different song. I’m not a Springsteen completist by any stretch… did he ever veer into more R&B/Motown territory? I think his first couple of albums give nods to those eras, no?

A: He always would play the “Detroit Medley”.  Back in the day he’d do “Not Fade Away” into “She’s the One”. That’s close. And speaking of the “Detroit Medley” as I’ve been going through a rediscovery and appreciation for the “Wall of Sound” and Motown and whatnot, I got onto 1980s covers of Motown classics and some new 1980s material by 1970s icons, A topic we have discussed many times, this time with a less than subtle nod to Motown. Without further ado, the playlist…

A: I’m gonna make you a mix tape, Jack. “Do you like Phil Collins? I’ve got two ears and a heart, don’t I?” – Jack and Tracy from 30 Rock. It’s hard for me to explain to my kids just how big Phil Collins was in the 1980s. They were his decade. At least on drums and a triple threat. Legitimately. Fuck Don Henley.  Fronting Genesis after Peter Gabriel left, Duke!!  Abacab! Dropping that solo album! Go watch the Classic Albums show on it. It’s a piece of work, or at least does a good job of looking like it. Certainly an artist who got to say something. I loved that he did a Motown cover on each album. He was charmingly self-effacing. He drops two solid solo albums, drums on Band Aid, plays both Live Aid show by way of Concorde, Then Invisible Touch, which I will fight tooth-and-nail for as one of the greatest albums of all time and certainly of the 80’s.

A: He was a natural actor. I loved his videos. He was a sharp dude. Here is where his Motown influence hit. Also with the classic we all love, our star playing all parts in the band. This was one of two songs from Buster, along with “Groovy Kind of Love”.

Rod Stewart also had a great late 1980s. Forever Young is one for the ages. Here’s the less than subtle nod to Motown…

Here is Elton John’s entry in the key of Motown though the production is a little synthy!

C: I had never really thought but yeah, 1980s/1990s interpretations of r&b/Motown faves was totally a thing. Remember rod Stewart doing “This Old Heart of Mine” with the Isley Brothers? A real “feel good” rendition. And Kim Wilde doing “You Keep Me Hangin’ On”? I like this. I like the Vanilla Fudge version.