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Posts Tagged ‘Traveling Wilburys’

Ignored 102: Bruce wears a bolo tie

In Words on August 6, 2016 at 3:36 pm

Another unstructured music chat between myself and my high school pal Adam.

Adam: Apple Music wormhole: “Hey, I should find some Sam Cooke”.  Always wanted to listen to more.  Then, I find the song “Having a Party”. This is familiar, I say. Who did a cover of this?  Rod Stewart!  Let’s find that. Unplugged… and Seated. It’s so good.  Rod Stewart is a singular talent and voice.  Such great songs.  So many career phases.  Always loved.  Even during this wardrobe era…

Cam: This video may be in the all-time Top 10 of “re-enact the album cover art in the music video”…

Cam: I do think he’s underrated. i guess most people mainly know him for covers, “Maggie May”, “Tonight’s the Night”, very 1980s stuff like “Some Guys Have All the Luck” and maybe, the Faces “Ooh La La”. Pretty unique voice and steady output. always kind of a notch below Elton John but without the cool factor of Bryan Ferry, which is too bad. Great voice, very self aware, weird outfits and hair, etc. I had the album Out of Order on cassette. The one with “Forever Young”, “Lost in You”, etc. The cover was basically a look at the top of his head. Another example of “rockers pushing 50 being marketed to children” that was very popular at that time. I bet he and Steve Winwood had an unspoken rivalry for who could chew up more scenery on MTV in the late 1980s.

Adam: “Forever Young” is a monster of a song.

Cam: I love it. The 1980s were a great decade for songs called “Forever Young”…

Adam: Makes me tear up a little thinking about my kids.

Cam: Seriously. Rod’s “Forever Young” is of the ultimate “hey look, i’m a good father” videos.

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Adam: Listen to the Unplugged… album

Cam: No.

Cam: Did anybody have a sneakily good run in the 1980s as Paul Carrack? “The Living Years” with Mike + the Mechanics plus “Silent Running” or whatever that song is called, “Tempted” with Squeeze, the big solo hit “Don’t Shed a Tear”, some stuff with Ace, I think… monster decade! Also, Rod Stewart and Barry Manilow have been pretty steady in generally having the same look for decades now

Adam: “How Long Has This Been Going On” (sic).  Then, “Hey You” at the wall in Berlin.

Cam: Back to Rod Stewart. “Love Touch”, “Young Turks”. He actually had a massive 1980-1989. And the creepy stalker anthem “Infatuation”.

Adam: … And he benefited from the sex appeal thing.  Ladies loved him. He played it up. “Some Guys Have All the Luck”. He seemed like a dirty Limey with spikey hair. Then he did the “Do Ya Think I’m Sexy?” and the ladies said “YES”.

Adam: Go Jays.

Cam: I’m all in on the Jays. Feel like this season… the team that gets hot at the end wins. both leagues. It’s wide open. All the teams are flawed in some way.

Cam: Listened to Bruce’s “Brilliant Disguise” at least 4x this weekend. I know we’ve talked about his phases at length but late 1980s weary Bruce is great. The “Made in the USA” hangover. The fire is still there but subdued. Did some repeats on “Badlands” as well. Great tune but feel like it needs to be even more aggressive, angry.

Adam: Work your way through Darkness on the Edge of Town. It really works best as a full piece. Also, love how Bruce changed his image after “Born in the USA”.  He put on a bolo neck tie and a dress shirt and jacket.

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Cam: Yeah, I guess he was fuckin’ around with Roy Orbison at this time too. This wasn’t my fave Bruce look. The tailored suit. He was very lean at this time!

Adam: The video (for “Brilliant Disguise”) is amazing.

Cam: My other weekend deep dive was repeats on Funkadelic’s “Maggot Brain”. could listen to that an infinite amount of times.

Adam: It’s interesting just how grown-up Bruce wanted to look.  Was then doing the Amnesty International shows around then. Plus the first half of Tunnel of Love is a royal “f**k you” to anyone who wanted “Dancing in the Dark” part 2.  He’d toured the world on a gigantic level. Then he opens the next album with “I ain’t got you!?! (Guts)!! Side two opens with “Tunnel of Love”.  But then “Brilliant Disguise” is the highlight with one step up behind it. The echo and drum and synth sounds work best on those songs. “Tougher Than The Rest” is great and has a mean harp solo.  I’d love it sped up just a bit. This is also the Baby Boomers getting to their nostalgia phase and going old school.  Everybody loved Roy Orbison.

Cam: It’d be interesting to see what Orbison would’ve done in the 1990s if he hadn’t died. Between Mystery Girl and the Wilburys, he really ended the 1980s on a high note. It’s hard to imagine a world where Orbison and Nirvana would have co-existed. Also, his duet w/ kd Lang on the “Crying” re-record, which was (really) amazing. “I Drove All Night” is a pretty weird song, at least production-wise. I wonder if O wanted it to sound like that. Basically, you could remove the vocals and it sounds very similar to 1980s ZZ Top. Whereas Bruce put on a bolo tie and Clapton put on an Armani suit and later, a trench coat, O stayed pretty consistent look-wise since the 1950s. Though I think he was slightly more “Southern” then. He was only 52 when he died, which is laughably and obviously tragically young.

Adam: Which “I Drove All Night”? Bruce?  Cyndi (Lauper)?

Cam: The posthumous RO version. Featuring a pantless Jennifer Connolly in the video plus Jason Priestley!

Adam: Vastly superior by Cyndi! I also think that was video done posthumously.  Stock Roy footage.

Cam: I like that song. The more adult contemporary version of Gwen Stefani is basically this era of Cyndi Lauper fast forwarded by 15-20 years.She’s got a similar voice. I feel like Preistly was in another video around this time.

Adam: He was.

Cam: I might be thinking of Johnny Depp in Petty’s “Into the Great Wide Open”. Wait… the guy from Friends is in the “Night Moves” video too! I get Bob Seger and Steve Miller mixed up.

Cam: I remember a Chevrolet commercial featuring “Like a Rock” being played incessantly during Sportsdesk for years and developing a Pavlovian reaction to it, that’d remind me of getting ready for school.

Cam: Also, do we know why Chris Isaak didn’t have a bigger career? Hot video of the early 1990s. An entertainer and actor who was apparently funny. Similar hair to Morrissey. Stupid theory: Jeff Buckley destroyed his career? They kinda sorta had the same niche . Albeit, Buckley was the more indie version but equally as hunky w/ slightly more interesting songs.

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Ignored 29: An education

In Uncategorized on March 10, 2014 at 2:39 pm

#ignored29

As a lifelong music fan, there will be times when you remember things wrong, assume an artist is something they’re not and have various WTF memories and misappropriations seep into your consciousness. The Internet and various reference manuals can help clear up these mistakes while others will follow you to the grave. It’s fun!

Here is a small sampling of musical misunderstandings I’ve had over the years. Obviously since I’m now writing about them on a WordPress blog, I’ve cleared up the details.

The video was Men without Hats “The Safety Dance” wasn’t an actual song but rather, a TV show for kids or maybe a TV commercial. This was 1984.

The video for M+M’s “Black Stations White Stations” wasn’t an actual song. Rather, it was a bumper for Citytv. In the spirit of Mark Daily’s “Citytv: Everywhere” contributions. Again, this was 1984.

The Fat Boys was a TV show and not a band.

Lou Gramm and Lou Reed were the same guy.

Strange Advance and the Escape Club were the same band. Confusion rooted in the former’s “Love Becomes Electric” and the latter’s “Wild Wild West”. Note: these songs sound nothing alike.

The Who and the Guess Who were the same band.

The Band were fictitious. No one where this came from. I think maybe I was vaguely aware of The Last Waltz and thought these were actors playing a band. Potential crossed wires when I became aware of other real fake bands like Spinal Tap and The Commitments.

Jeff Lynne from the Traveling Wilburys was not a real musician but actually somebody famous (not sure who… maybe an actor?) wearing a disguise.

Jane’s Addiction were Canadian and later, I’d confuse them with the Leslie Spit Treeo. The former’s “Been Caught Stealing” and the latter’s cover of John Prine’s “Angel from Montgomery” were both in rotation on 680 CFTR at the time. I think the opening of “Been…” with the dogs barking threw me somehow.

Spandau Ballet and Roxy Music were the same band.

Ice-T changed his name slightly and became Ice Cube.

Rumble was British. Aside: was there a more random one-hit wonder from this era? Some Jamaican guy from Toronto rapping over a Massive Attack song and hitting the Top 40.

James was a guy and then upon learning James was a band, assuming they were a heavy metal band. Later, I thought the song “Laid” was a Spirit of the West song. I was so confused.

Primus was a heavy metal band. Fair assumption since most people who liked Primus in 1993 were also into Metallica et all.

Pavement were a heavy metal band. The name just sounds heavy. There’s a scene in Pavement’s Slow Century DVD where Sonic Youth’s Thurston Moore cops to making the same assumption. Also, I thought their drummer Steve West was the singer for the longest time.

Dinosaur Jr were from the UK. Reason: their 1994 release Without a Sound came out on the UK-based imprint Blanco y Negro which I naively assumed meant they must be British too.

Sloan were from Boston.

The Cranberries were from Canada.

Catherine Wheel was a lady. I’m assuming more than half of 102.1 listeners of the 1990s also made this assumption?

Molly Hatchet was a lady.

Bettie Serveert was a lady.

PJ Harvey was a dude.

Pop Will Eat Itself were German. This was based purely on their 1994 single “Ich Bin Ein Auslander”. Once I learned they were British, I tried to share this knowledge with anyone who cared (estimate: 3-4 people, tops) and always got massive push back from people who insisted they were German, namely because of this song and also, their hair. Pre-Internet, these debates raged for months.

Tha Dogg Pound were a band that contained Snoop Dogg Dogg, Nate Dogg and friends. 95 per cent certain that Suge Knight hoped that the record buying public would make the same assumption. They did briefly.

 

Sugar’s Beaster EP was actually an EP by the Beastie Boys. Beaster was one of those CDs you’d always see in vast quantities at used CD shops and whenever I’d catch a glance at this disc, I kinda just assumed it was a Beastie Boys’ release with some alternate spelling. In part, I think there was some confusion with the Beasties’ Some Old Bullshit EP that came out around the same time. Aside: has their even been a band with worse cover art than Sugar?

Buffalo Tom and Grant Lee Buffalo were the same band.

Tristan Psionic and SIANspheric were the same band.

Paul Weller and Paul Westerberg was the same dude.

 

The dude L.V. who sang the chorus of Coolio’s “Gangsta’s Paradise” was Luther Vandross. Not sure if I really believed this or just WANTED to believe it. It would’ve been a really unlikely transformation and pretty funny that Vandross could up his cred by reducing his stage to sinister…. initials!!! Also kinda funny: the real L.V. stood for “large variety”.

Big Star influenced the Beatles. My roommate in first-year university told me this and I just went with this. Obviously, this timing makes no sense since the Beatles were toast by the time Big Star even formed.

Peter Schilling’s “Major Tom” was actually sung by David Bowie. Obviously some confusion RE: Bowie’s “Space Oddity” and no doubt, Schilling was hoping to profit from the confusion. Note: the voice on “Major Tom” sounded nothing like David Bowie.

Yo La Tengo and Pizzicato Five were the same band.

The Birthday Party and the Wedding Present were the same band. This was fueled by the same gaff made in Alan Cross’ first book The Alternative Music Almanac where they mislabeled a shot of the Wedding Present playing at Lee’s Palace as the Birthday. The horror!

Death Cab for Cutie were heavy.

Crystal Castles were from either Europe or Chicago.

Wolf Eyes and Japanther were the same band and both from Toronto. Neither/nor.

Deerhunter and Deerhoof were the same band. Also, Deerhunter were heavy.

Big K.R.I.T. was British. He laid down some rhymes over an Adele track, after-all.

Mac Miller and Mac DeMarco were the same dude.